Alternate Title: I guess we’re a photo blog now.

Boy I know how to pick expensive hobbies.
Back last millennium, there was a school one could attend called the Brook’s Institute of Photography. Founded just after the second World War, it made its home in a small Southern California town and trained returning GIs on the photographic arts. In a way the location for it was perfect – founder Ernest H. Brooks was an avid underwater photography enthusiast it seems, and the rich coastline and easy harbor close to the campus made for fertile backgrounds and shooting locales.
I never attended.
help I’m turning into my dad
The most formal photographic training I have is from a high school photography class, which has faded into such distant memory and mush I can probably credit mucking about with a camera for more of my understanding. My family gifted me a Nikon D5000 digital SLR kit for the purpose of the class, and there was some heritage in that little piece of kit. For me to find years on down the line, parceled away within a musty set of bags in our garage, was an old set of Nikkor lenses from sometime about the 1980’s for me to play with and adore. They belonged to my father and now they belong to me; the venerable Nikon F-mount being unchanged since 1977 means I can turn the helicoid on a 105mm f/2.5 with the added luxury of knowing what my shots look like immediately.
It does not make me a better photographer, mind. Mostly a more fun one.
Have you ever read one of your high school essays ten years on? Maybe college? I’ve shot on Nikon for well over a decade now, on and off between several different camera bodies, and I struggle to remind myself that I know what I’m doing and I’ve done it before. I’ll miss shots, botch composure, struggle to bring the camera up to my eye for entire days because I can’t figure out what I actually want to capture. Couple that with a beleaguering soft-focus issue on my main camera body and I hit a slump.
They say that comparison is the thief of joy and I am SAD when I look at some of the photos I take on my fancy SLRs compared to what other people get.
I took a look in the mirror(less)

In a spur-of-the-moment decision and a wont to not be mugged on the street, I purchased an immensely cheap used Sony ICLE A6000 off a reseller and coupled it to the cheapest Chinese-built pancake lens I could find. The mission was to have a pocketable, but still capable, travel camera for a trip to San Francisco such that I could still practice getting back into photography while I had the inspiration. With expectations low and investment even lower, I was just hoping to get some level of joy out of it before it inevitably crapped out.
If I ever write a review of the lens, it will be titled as such:
TTArtisan 25mm f/2: Dammit.
I took some of the best photos of my goddamn life on that trip. Even with zero electronics in the lens, the aids of the little A6000 meant I was getting crisp focus at a better take rate than the autofocus system on any of my Nikon bodies. It was nigh-imperceptible in my hands which let me get candid photos of my friends. It was exhilarating! It was infuriating! I was outperforming twelve years of investment in the F-mount with something I meant to be disposable.
The doubt moved in fast. Had I made a mistake holding fast to my beloved DSLRs? Why was this cheap, tiny lens bringing me more satisfaction than any of my optically superior Nikon glass? What else have I been wrong about? Was I unhappy with my photography because, as I had already feared, I was being held back by inferior tools?
The law requires that I answer no.

I got this shot maybe four months later.
Turns out there’s some truth to saying that a shitty craftsman blames his tools. Money can buy you all the fancy tools and toys in the world, but there’s no buying the skill to use them. I did find that there were some flaws in various pieces of my gear, but the biggest one was me. It is so, so easy to forget patience these days – with others, with life, with one’s self.
Slow down. I can’t compose a shot if I myself am not composed. Did I eat enough today? Is my lens clean? It doesn’t matter if I don’t like the picture on the little screen, it’s okay to come back later to be happy with myself. Don’t delete it. Just do the best I can now.
I got good photos off the Sony because I was with people who encouraged me and gave me the freedom to try. I love my friends. I like that little Sony a whole lot.
And now, what I actually set out to write about.
Financially responsible, thy name is someone else – I bought a used Fujifilm X-T3, expanding me into a third lens mount and battery system. Compared to the Sony, it is… Well, it is unfair. Oceans of time separate the design philosophy and available technology between the two units. Spinning the physical control dials and reveling in modern focus assistance is anachronistic in the finest way, and the X-T3 feels like it was made just for people like me. It is tactile in the same way as a manual transmission car from the mid-2000’s – just electronic enough to help. The poor Sony, compact and competent as it is, had the misfortune to be designed by Sony and is as such afflicted with the most baffling UX decisions in the industry.
But this next camera has not made me a better photographer, not one bit.
I love the Fuji so much. I’m just still learning to like it.
– Goose








